The Sculpture and Mural Decorations of the Exposition - A Pictorial Survey of the Art of the Panama-Pacific international exposition by Stella George Stern Perry
page 21 of 93 (22%)
page 21 of 93 (22%)
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The Muse and Pan Pylon Group, Festival Hall At the base of the great pylons that flank the columnar entrance court of Festival Hall, are low pyramidal masses of foliage and flowering shrubs. An interesting group by Sherry E. Fry is set in the midst of each. The more evident figure, mounted upon a decorative pedestal, is identical in both groups - a classic, flower-bearing Muse, who seems to step softly forward. But though the Muse is repeated, the groups vary in the smaller seated figures at the base of the pedestals. This variation is not felt architecturally, for the figures balance perfectly and are nestled in a mass of leafage. At the feet of the Muse before the northern pylon a Boy Pan sits among the flowers, balanced in the southern group by a Young Nymph or Dryad. The gentle dignity of the standing Muse and the reality and softness of her draperies recall the same sculptor's figure, Peace, exhibited in the department of Fine Arts and awarded a medal by the jury. The architectural beauty of these groups, in relation to the arched panels of the pylons forming their background, is worthy of study. It will be seen that the group, in spite of its statuesque quality, is actually part of the wall surface. The beauty of the ensemble is greatly enhanced by the sympathetic planting. |
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