all, the conqueror of the Incas, the indomitable, who spared neither his
men nor his enemy until the rich cities of the Southern Empire had been
pillaged of their gold and destroyed, who is here portrayed. After
achieving wealth and honors Pizzaro was slain by the followers of a
rival conquistador. The position of these two equestrians is well
chosen; the colonnade of the Tower makes an impressive background.



The Pioneer
Avenue of Palms



History of a later period, nearer to the heart of Westerners, is
embodied in Solon Borglum's lusty and venerable Pioneer. This impressive
equestrian stands on the Avenue of Palms at the entrance to the court of
Flowers. It is interesting to note that, in this rugged and commanding
figure, fineness, dignity and nobility are emphasized as well as the
more customary endurance and hardihood conventionally associated with
the character. On the leather trappings of the old Pioneer's horse, the
tepee, the canoe and other symbols of Indian life are marked. The
sculptor is himself the son of pioneers and has treated this subject
with sincerity and affectionate insight. The Pioneer has been greatly
appreciated and has received special notice in a number of addresses
delivered by distinguished guests of the Exposition. Its veracity is
attested by the fact that resemblance to several famous pioneers has
been imagined in it by their admirers.