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The Sculpture and Mural Decorations of the Exposition - A Pictorial Survey of the Art of the Panama-Pacific international exposition by Stella George Stern Perry
page 38 of 93 (40%)

Frieze
Base, Column of Progress



The four panels at the base of the Column of Progress sympathetically
express its exalted idealism. They are by Isadore Konti, in richly
wrought high relief. The play of color values, the planes of light and
shade, are handled with mastery. These four panels indicate that the
thought, the dream, the aspiration, the dutiful devotion underlying all
the labors of the common day are the source of their progress. One panel
shows the higher toils of the mind, as in the arts and statesmanship. In
the center of this stands the inventor or leader of thought with the
eagle of aspiration above him. Another shows the motives of love and
pain and prayer and the central power of labor as movers of the world.
Still another, which is shown here, expresses the humbler toils of
mankind; even they, it says, progress upward through the thinker who
pauses in their midst to dream. The other panel here pictured represents
the triumph of man's endeavors, and the successes that spur to greater
achievements.



Primitive Ages
Altar Tower, Court of Ages



The Tower of Ages, in the Court of Ages, represents Evolution. The lower
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