The Sculpture and Mural Decorations of the Exposition - A Pictorial Survey of the Art of the Panama-Pacific international exposition by Stella George Stern Perry
page 38 of 93 (40%)
page 38 of 93 (40%)
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Frieze Base, Column of Progress The four panels at the base of the Column of Progress sympathetically express its exalted idealism. They are by Isadore Konti, in richly wrought high relief. The play of color values, the planes of light and shade, are handled with mastery. These four panels indicate that the thought, the dream, the aspiration, the dutiful devotion underlying all the labors of the common day are the source of their progress. One panel shows the higher toils of the mind, as in the arts and statesmanship. In the center of this stands the inventor or leader of thought with the eagle of aspiration above him. Another shows the motives of love and pain and prayer and the central power of labor as movers of the world. Still another, which is shown here, expresses the humbler toils of mankind; even they, it says, progress upward through the thinker who pauses in their midst to dream. The other panel here pictured represents the triumph of man's endeavors, and the successes that spur to greater achievements. Primitive Ages Altar Tower, Court of Ages The Tower of Ages, in the Court of Ages, represents Evolution. The lower |
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