The Sculpture and Mural Decorations of the Exposition - A Pictorial Survey of the Art of the Panama-Pacific international exposition by Stella George Stern Perry
page 66 of 93 (70%)
page 66 of 93 (70%)
![]() | ![]() |
|
worthy leadership in our modern college life. Full of energy and spirit,
the youth steps forward, physically rugged, of athletic prowess and sportsmanly character, intelligent, frank, clearbrowed, fearless and straightforward of gaze, bearing his books with care and ease and draped with the academic gown, symbol of scholastic achievement. To give this figure of young manhood the solemnity of a memorial and still keep it true to the hearty and cheerful vigor it depicts was a notable achievement. The setting in one of the arches of the Rotunda, with the lagoon and the landscape-planting in the background, is admirable. Two great universities have in recent years been graced by Mr. French's work; his "Alma Mater" on the great stairway of the Columbia University Library is one of the art treasures of New York City. Fountain Foyer, Palace of Fine Arts This fountain, by Gertrude Vanderbilt Whitney, who made the Fountain of El Dorado for the Exposition, is strikingly different from that work in treatment and character, showing a notable versatility and responsiveness to change in motif. As that was poetically symbolic, this is a massive direct work in a more virile and vigorous manner. It shows three well-modeled nudes supporting a bowl heavy with richly laden vines. Its installation in the center of the entrance hall of the Fine Arts Palace is in itself a work of art. The white marble fountain - for this is the original work, loaned by the artist - is cleverly contrasted with vivid green water plants in the bowl; just enough of them and |
|