In a setting of surpassing appropriateness and beauty, installed high
amid the tall shrubbery as if emerging from the edge of one of her own
forests, the huntress Diana points the arrow she is about to let fly.
This rendering by Haig Patigian, who made the heroic Powers and other
decorations on Machinery Hall, is simple, classic, pure, imaginative,
poetic in purpose and in effect. He has softened the traditional
coldness of the goddess by a warmer humanity without injuring the sense
of proud aloofness. The Maiden goddess of the Hunt bears in her hand the
crescent bow, its lines here strongly suggestive of those of the young
moon, of which it is the symbol and this goddess the deity. Mr. Patigian
exhibits in the Colonnade a companion piece, "Apollo, the Sun God," twin
brother of Diana. A vivid figure of manly grace, Apollo is presented in
the guise of the sun of the morning. He kneels and shoots an arrow
upward; the long, pleasing curve of his bow suggests the outline of the
sun above the horizon as Apollo releases his first bright shaft of
light.



Eurydice
Garden Exhibit, Colonnade



This "Eurydice," by Furio Piccirilli, pictures the nymph as standing
against the background of an echoing rock, listening to the distant
strains of the magic lyre of her lover, Orpheus. Orpheus had been taught
to play by Apollo, his father, and could enchant the animate and
inanimate world by his music. So he charmed the nymph, Eurydice; but