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The Sculpture and Mural Decorations of the Exposition - A Pictorial Survey of the Art of the Panama-Pacific international exposition by Stella George Stern Perry
page 77 of 93 (82%)
One of the most useful services of a great Exposition, especially as it
relates to the world of art, is its service in bringing to the attention
of the public the power of new and rising stars on the horizon of
achievement. Albin Polasek has made his work generally felt at this
Exposition, where he received a silver medal. He is one of the most
talented sculptors of the American Academy at Rome. He won honorable
mention in the Paris Salon in 1913, and the Prix de Rome in 1910. He was
the holder of the Cresson scholarship. His "Sower" was the culminating
work of his early labors, the product of his final year at Rome, in
which year a heroic figure is required of every student. It caused the
critics to prophesy for this sculptor the future that is developing. Mr.
Polasek's work has the same unassailable rigor of truth as that of
Charles Grafly, who was his teacher. "The Sower" ennobles an humble
theme. It has sweep and life and distinction of bearing. In "The Girl of
the Roman Compagna," close at hand in this Colonnade, the sculptor shows
his equal power in a softer theme. The Roman girl is a well-poised and
beautiful expression of the spirit of old Rome in the days of her grand
simplicity.



The Bison
Garden Exhibit, South Approach



These mighty monarchs of the plains, now disinherited by human progress,
the American bisons, are here more than portrayed; they are realized.
Their essential characteristics, their strong mass, bulky without
clumsiness, are made present and convincing in these two statues by A.
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