The Sculpture and Mural Decorations of the Exposition - A Pictorial Survey of the Art of the Panama-Pacific international exposition by Stella George Stern Perry
page 81 of 93 (87%)
page 81 of 93 (87%)
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Industrial Fire, Court of Ages
The two Fire panels represent this element in its two phases of serviceability. The first shows its simplest use, that of giving warmth to man; the second, its more developed employment as an agent of manufacture. In the "Primitive Fire," a gray, woodsy plume of smoke rises to the autumn sky. A group of workers have made a fire at the edge of a grove; they surround it, some encouraging the growing blaze by blowing upon it, others leaning forward toward its warmth. The thin pillar of waving smoke is executed with such fidelity that it explains why this artist's admirers dwell upon his handling of fugitive surface tones, as smoke or clouds, as much as upon his more obvious excellences. In "Industrial Fire," here reproduced, the smoke rises not in fine line, but in heavy mass from a kiln. It is a rich cloud, colorful with iridescent metallic lustres. Workers feed the blaze, their warm flesh glowing in the mixed light. Whole vessels and broken bits of pottery are heaped and scattered upon the ground. Water Fountain Motive, Court of Ages As the Earth panels are luxuriant, teeming with a sense of plentitude, and the Fire panels are moving with the grace of rising smoke, those that represent the phases of Water are moist and lush. In the one here |
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