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The Sculpture and Mural Decorations of the Exposition - A Pictorial Survey of the Art of the Panama-Pacific international exposition by Stella George Stern Perry
page 91 of 93 (97%)

Penn's Treaty with the Indians
Pennsylvania Building



The Pennsylvania Building was designed with the patriotic purpose of
enshrining the Liberty Bell. The Bell stands in a loggia between two
wings, the architectural motif following that of Independence Hall. On
the walls of the loggia are two mural lunettes of distinction by Edward
Trumbull of Pittsburg. Their deep glowing color and massive grouping
mark Mr. Trumbull a worthy pupil of his master, Frank Brangwyn. "Penn's
Treaty with the Indians," here given, shows William Penn and the
foremost of his shipmates on "The Welcome" making with Chief Tamanend
and his braves the Treaty of Shackamaxon in 1683, the treaty that never
was broken. The plainness of the kindly Friends, the barbaric splendor
of the Indians, the deep green of the overarching Treaty Elm and the
lovely typical Pennsylvania landscape have enduring attraction. The
panel is in contrast with Mr. Trumbull's vigorous and burning modern
picture, "The Steel Workers," on the opposite wall. In the reception
room of this building are seven delightful small panels by Charles J.
Taylor, showing the early life of Pennsylvania villages. They are
painted in the quaint style of old colonial decorations and have charm,
humor, naivete and beauty too pleasing to be overlooked.



Return from the Crusade
Court, Italian Pavilion

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