all covered with sedge and filled with water, once blessed by a
Brahman and able to purify every sin, all indispensable attribute
of all pagodas. All the surroundings are covered with symbols of
gods and goddesses. Each of the three hundred and thirty millions
of deities of the Hindu Pantheon has its representative in something
consecrated to it, a stone, a flower, a tree, or a bird. On the
West side of the Malabar Hill peeps through the trees Valakeshvara,
the temple of the "Lord of Sand." A long stream of Hindus moves
towards this celebrated temple; men and women, shining with rings
on their fingers and toes, with bracelets from their wrists up
to their elbows, clad in bright turbans and snow white muslins,
with foreheads freshly painted with red, yellow, and white, holy
sectarian signs.

The legend says that Rama spent here a night on his way from Ayodhya
(Oudh) to Lanka (Ceylon) to fetch his wife Sita who had been stolen
by the wicked King Ravana. Rama's brother Lakshman, whose duty
it was to send him daily a new lingam from Benares, was late in
doing so one evening. Losing patience, Rama erected for himself
a lingam of sand. When, at last, the symbol arrived from Benares,
it was put in a temple, and the lingam erected by Rama was left
on the shore. There it stayed during long centuries, but, at the
arrival of the Portuguese, the "Lord of Sand" felt so disgusted
with the feringhi (foreigners) that he jumped into the sea never
to return. A little farther on there is a charming tank, called
Vanattirtha, or the "point of the arrow." Here Rama, the much
worshipped hero of the Hindus, felt thirsty and, not finding any
water, shot an arrow and immediately there was created a pond. Its
crystal waters were surrounded by a high wall, steps were built
leading down to it, and a circle of white marble dwellings was