pictures,--I want to know what they mean."

Maggie, with deepening color, went without hesitation to Mr. Riley's
elbow and looked over the book, eagerly seizing one corner, and
tossing back her mane, while she said,--

"Oh, I'll tell you what that means. It's a dreadful picture, isn't it?
But I can't help looking at it. That old woman in the water's a
witch,--they've put her in to find out whether she's a witch or no;
and if she swims she's a witch, and if she's drowned--and killed, you
know--she's innocent, and not a witch, but only a poor silly old
woman. But what good would it do her then, you know, when she was
drowned? Only, I suppose, she'd go to heaven, and God would make it up
to her. And this dreadful blacksmith with his arms akimbo,
laughing,--oh, isn't he ugly?--I'll tell you what he is. He's the
Devil _really_" (here Maggie's voice became louder and more emphatic),
"and not a right blacksmith; for the Devil takes the shape of wicked
men, and walks about and sets people doing wicked things, and he's
oftener in the shape of a bad man than any other, because, you know,
if people saw he was the Devil, and he roared at 'em, they'd run away,
and he couldn't make 'em do what he pleased."

Mr. Tulliver had listened to this exposition of Maggie's with
petrifying wonder.

"Why, what book is it the wench has got hold on?" he burst out at
last.

"The 'History of the Devil,' by Daniel Defoe,--not quite the right
book for a little girl," said Mr. Riley. "How came it among your