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The Mill on the Floss by George Eliot
page 35 of 722 (04%)
like a Skye terrier escaped from his bath. This attic was Maggie's
favorite retreat on a wet day, when the weather was not too cold; here
she fretted out all her ill humors, and talked aloud to the worm-eaten
floors and the worm-eaten shelves, and the dark rafters festooned with
cobwebs; and here she kept a Fetish which she punished for all her
misfortunes. This was the trunk of a large wooden doll, which once
stared with the roundest of eyes above the reddest of cheeks; but was
now entirely defaced by a long career of vicarious suffering. Three
nails driven into the head commemorated as many crises in Maggie's
nine years of earthly struggle; that luxury of vengeance having been
suggested to her by the picture of Jael destroying Sisera in the old
Bible. The last nail had been driven in with a fiercer stroke than
usual, for the Fetish on that occasion represented aunt Glegg. But
immediately afterward Maggie had reflected that if she drove many
nails in she would not be so well able to fancy that the head was hurt
when she knocked it against the wall, nor to comfort it, and make
believe to poultice it, when her fury was abated; for even aunt Glegg
would be pitiable when she had been hurt very much, and thoroughly
humiliated, so as to beg her niece's pardon. Since then she had driven
no more nails in, but had soothed herself by alternately grinding and
beating the wooden head against the rough brick of the great chimneys
that made two square pillars supporting the roof. That was what she
did this morning on reaching the attic, sobbing all the while with a
passion that expelled every other form of consciousness,--even the
memory of the grievance that had caused it. As at last the sobs were
getting quieter, and the grinding less fierce, a sudden beam of
sunshine, falling through the wire lattice across the worm-eaten
shelves, made her throw away the Fetish and run to the window. The sun
was really breaking out; the sound of the mill seemed cheerful again;
the granary doors were open; and there was Yap, the queer
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