the way took up a solitary mournful crow, and behind them, a last
negro waiter turned out the porch light, Jim and Clark strolled over
toward the Ford, their, shoes crunching raucously on the gravel drive.

"Oh boy!" sighed Clark softly, "how you can set those dice!"

It was still too dark for him to see the flush on Jim's thin
cheeks--or to know that it was a flush of unfamiliar shame.



IV

Over Tilly's garage a bleak room echoed all day to the rumble and
snorting down-stairs and the singing of the negro washers as they
turned the hose on the cars outside. It was a cheerless square of a
room, punctuated with a bed and a battered table on which lay half a
dozen books--Joe Miller's "Slow Train thru Arkansas," "Lucille," in an
old edition very much annotated in an old-fashioned hand; "The Eyes of
the World," by Harold Bell Wright, and an ancient prayer-book of the
Church of England with the name Alice Powell and the date 1831 written
on the fly-leaf.

The East, gray when Jelly-bean entered the garage, became a rich and
vivid blue as he turned on his solitary electric light. He snapped it
out again, and going to the window rested his elbows on the sill and
stared into the deepening morning. With the awakening of his emotions,
his first perception was a sense of futility, a dull ache at the utter
grayness of his life. A wall had sprung up suddenly around him hedging
him in, a wall as definite and tangible as the white wall of his bare