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Tales of the Jazz Age by F. Scott (Francis Scott) Fitzgerald
page 57 of 401 (14%)
The visualization of himself as a thing rather than a person seemed to
reassure the individual.

"All right," he said reluctantly.

Perry stepped out under the shelter of the awning and began unrolling
the camel.

"Let's go," he commanded.

Several minutes later a melancholy, hungry-looking camel, emitting
clouds of smoke from his mouth and from the tip of his noble hump,
might have been seen crossing the threshold of the Howard Tate
residence, passing a startled footman without so much as a snort, and
heading directly for the main stairs that led up to the ballroom. The
beast walked with a peculiar gait which varied between an uncertain
lockstep and a stampede--but can best be described by the word
"halting." The camel had a halting gait--and as he walked he
alternately elongated and contracted like a gigantic concertina.



III

The Howard Tates are, as every one who lives in Toledo knows, the most
formidable people in town. Mrs. Howard Tate was a Chicago Todd before
she became a Toledo Tate, and the family generally affect that
conscious simplicity which has begun to be the earmark of American
aristocracy. The Tates have reached the stage where they talk about
pigs and farms and look at you icy-eyed if you are not amused. They
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