Tales of the Jazz Age by F. Scott (Francis Scott) Fitzgerald
page 57 of 401 (14%)
page 57 of 401 (14%)
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The visualization of himself as a thing rather than a person seemed to
reassure the individual. "All right," he said reluctantly. Perry stepped out under the shelter of the awning and began unrolling the camel. "Let's go," he commanded. Several minutes later a melancholy, hungry-looking camel, emitting clouds of smoke from his mouth and from the tip of his noble hump, might have been seen crossing the threshold of the Howard Tate residence, passing a startled footman without so much as a snort, and heading directly for the main stairs that led up to the ballroom. The beast walked with a peculiar gait which varied between an uncertain lockstep and a stampede--but can best be described by the word "halting." The camel had a halting gait--and as he walked he alternately elongated and contracted like a gigantic concertina. III The Howard Tates are, as every one who lives in Toledo knows, the most formidable people in town. Mrs. Howard Tate was a Chicago Todd before she became a Toledo Tate, and the family generally affect that conscious simplicity which has begun to be the earmark of American aristocracy. The Tates have reached the stage where they talk about pigs and farms and look at you icy-eyed if you are not amused. They |
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