however the years may have dealt with Merlin Grainger, I myself was
thinking always in the present. It was published in the
"Metropolitan."


UNCLASSIFIED MASTERPIECES


THE LEES OF HAPPINESS.

Of this story I can say that it came to me in an irresistible form,
crying to be written. It will be accused perhaps of being a mere piece
of sentimentality, but, as I saw it, it was a great deal more. If,
therefore, it lacks the ring of sincerity, or even, of tragedy, the
fault rests not with the theme but with my handling of it.

It appeared in the "Chicago Tribune," and later obtained, I believe,
the quadruple gold laurel leaf or some such encomium from one of the
anthologists who at present swarm among us. The gentleman I refer to
runs as a rule to stark melodramas with a volcano or the ghost of John
Paul Jones in the role of Nemesis, melodramas carefully disguised by
early paragraphs in Jamesian manner which hint dark and subtle
complexities to follow. On this order:

"The case of Shaw McPhee, curiously enough, had no hearing on the
almost incredible attitude of Martin Sulo. This is parenthetical and,
to at least three observers, whose names for the present I must
conceal, it seems improbable, etc., etc., etc.," until the poor rat of
fiction is at last forced out into the open and the melodrama begins.