such entries in the joint diary as:--"Nov. 9.--Jane gloomy; she is
very sullen with Shelley. Well, never mind, my love, we are happy.
Nov. 10.--Jane is not well, and does not speak the whole day.... Go to
bed early; Shelley and Jane sit up till twelve talking; Shelley talks
her into good humour." Then--"Shelley explains with Clara."
Again--"Shelley and Clara explain as usual."

Mary writes--"Nov. 26.--Work, &c. &c. Clara in ill humour. She reads
_The Italian_. Shelley sits up and talks her into humour." Dec.
19.--A discussion concerning female character. Clara imagines that I
treat her unkindly. Mary consoles her with her all-powerful
benevolence. "I rise (having already gone to bed) and speak with Clara.
She was very unhappy; I leave her tranquil." Clara herself writes as
early as October--"Mary says things which I construe into unkindness.
I was wrong. We soon became friends; but I felt deeply the imaginary
cruelties I conjured up."

It is clear that where such constant explaining is necessary there
could not be much satisfaction in perpetual intimacy.

Mary is amused at the way Shelley and Claire sit up and "frighten
themselves" by different reasons or forms of superstition, and on one
occasion we have their two accounts of the miraculous removal of a
pillow in Claire's room, Claire avowing it had moved while she did not
see it; and Shelley attesting the miracle because the pillow was on a
chair, much as Victor Hugo describes the peasants of Brittany
declaring that "the frog _must_ have talked on the stone because
there was the stone it talked upon." The result might certainly have
been injurious to Mary, who was awakened by the excited entrance of
Claire into her room. Shelley had to interpose and get her into the