lake, from June 23, unaccompanied by Mary and Claire, we find a month
later Shelley taking them for an eight days' tour to Chamouni,
unaccompanied by Byron. Of this tour Shelley each day writes long
descriptive letters to Peacock, who is looking out for a house for
them somewhere in the neighbourhood of Windsor. They return by July 28
to Montalegre, where he writes of the collection of seeds he has been
making, and which Mary intends cultivating in her garden in England.

For another month these young restless beings enjoy the calm of their
cottage by the lake, close to the Villa Diodati, while the poets
breathe in poetry on all sides, and give it to the world in verse.
Mary notes the books they read, and their visits in the evening to
Diodati, where she became accustomed to the sound of Byron's voice,
with Shelley's always the answering echo, for she was too awed and
timid to speak much herself. These conversations caused her,
subsequently, when hearing Byron's voice, to feel a sad want for "the
sound of a voice that is still."

It is during this sojourn by the Swiss Lake that Mary began her first
serious attempt at literature. Being asked each day by Shelley whether
she had found a story, she answered "No," till one evening after
listening to a conversation between Byron and Shelley on the principle
of life--whether it would be discovered, and the power of
communicating life be acquired--"perhaps a corpse might be reanimated;
galvanism had given tokens of such things"--she lay awake, and with
the sound of the lake and the sight of the moonlight gleaming through
chinks in the shutters, were blended the idea and the figure of a
student engaged in the ghastly work of creating a man, until such a
horror came to light that he shrank in fear from his own performance.
Such was the original idea for this imaginative work of a girl of