Study and Stimulants; Or, the Use of Intoxicants and Narcotics in Relation to Intellectual Life by Alfred Arthur Reade
page 52 of 167 (31%)
page 52 of 167 (31%)
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by drinking coffee which I do not consider helpful to serious and
sustained work. It is possible, however, that works of genius may be produced sometimes in a state of nervous excitement, I suppose when the shattered nerves begin to relax. Manzoni wrote his master pieces when in a state of painful nervous distraction, but alcohol had nothing to do with it; perhaps he had recourse to other stimulants. (1) When we read that literary producers of any power have gone on working up to the last, even in the near approach of death, we usually find the work done has been of a not unwelcome kind, and often that it has formed part of a long-cherished design. But when the disease of which the sufferer is dying is consumption, or some disease which between paroxysms of pain leaves spaces of ease and rest, it is nothing wonderful that work should be done. Some of the best of Paley's works were produced under such conditions, and some of the best of Shelley's. Nor, indeed, is there anything in mere pain which necessarily prevents literary work. The late Mr. T. T. Lynch produced some of his most beautiful writings amid spasms of _angina pectoris_. This required high moral courage in the writer.... It is a curious, though well-known fact, however, that times of illness, when the eyes swim and the hand shakes, are oftentimes rich in suggestion. If the mind is naturally fertile--if there is stuff in it--the hours of illness are by no means wasted. It is then that the "_dreaming_ power" which counts for so much in literary work often asserts itself most usefully.--_The Contemporary Review_, vol. 29, p. 946. (2) When the poet Wordsworth was engaged in composing the "White Doe of Rylstone," he received a wound in his foot, and he observed that the continuation of his literary labours increased the irritation of |
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