that one can hardly believe that life will ever pick itself up and go
on again after them. Yet it does. The dramatist brings down the
curtain on such speeches. The novelist blocks his reader's path with a
zareba of stars. But in life there are no curtains, no stars, nothing
final and definite--only ragged pauses and discomfort. There was such
a pause now.

'What do you mean?' said Tom at last. 'You promised to marry me.'

'I know I did--and I promised to marry Ted Pringle!'

That touch of panic which she could not wholly repress, the panic that
comes to everyone when a situation has run away with them like a
strange, unmanageable machine, infused a shade too much of the defiant
into Sally's manner. She had wished to be cool, even casual, but she
was beginning to be afraid. Why, she could not have said. Certainly she
did not anticipate violence on Tom's part. Perhaps that was it. Perhaps
it was just because he was so quiet that she was afraid. She had always
looked on him contemptuously as an amiable, transparent lout, and now
he was puzzling her. She got an impression of something formidable
behind his stolidity, something that made her feel mean and
insignificant.

She fought against the feeling, but it gripped her; and, in spite of
herself, she found her voice growing shrill and out of control.

'I promised to marry Ted Pringle, and I promised to marry Joe Blossom,
and I promised to marry Albert Parsons. And I was going to promise to
marry Arthur Brown and anybody else who asked me. So now you know! I
told you I'd make father take me back to London. Well, when he hears