The Bride of Messina, and On the Use of the Chorus in Tragedy by Johann Christoph Friedrich von Schiller
page 2 of 141 (01%)
page 2 of 141 (01%)
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SCENE I. A spacious hall, supported on columns, with entrances on both sides; at the back of the stage a large folding-door leading to a chapel. DONNA ISABELLA in mourning; the ELDERS OF MESSINA. ISABELLA. Forth from my silent chamber's deep recesses, Gray Fathers of the State, unwillingly I come; and, shrinking from your gaze, uplift The veil that shades my widowed brows: the light And glory of my days is fled forever! And best in solitude and kindred gloom To hide these sable weeds, this grief-worn frame, Beseems the mourner's heart. A mighty voice Inexorable--duty's stern command, Calls me to light again. Not twice the moon Has filled her orb since to the tomb ye bore My princely spouse, your city's lord, whose arm Against a world of envious foes around Hurled fierce defiance! Still his spirit lives In his heroic sons, their country's pride: Ye marked how sweetly from their childhood's bloom They grew in joyous promise to the years Of manhood's strength; yet in their secret hearts, From some mysterious root accursed, upsprung Unmitigable, deadly hate, that spurned |
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