The Bride of Messina, and On the Use of the Chorus in Tragedy by Johann Christoph Friedrich von Schiller
page 31 of 141 (21%)
page 31 of 141 (21%)
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About her airy limbs. A girdle next,
Purple with gold embroidered o'er, to bind With witching grace the tunic that confines Her bosom's swelling charms: of silk the mantle, Gorgeous with like empurpled hues, and fixed With clasp of gold--remember, too, the bracelets To gird her beauteous arms; nor leave the treasure Of ocean's pearly deeps and coral caves. About her locks entwine a diadem Of purest gems--the ruby's fiery glow Commingling with the emerald's green. A veil, From her tiara pendent to her feet, Like a bright fleecy cloud shall circle round Her slender form; and let a myrtle wreath Crown the enchanting whole! Chorus (CAJETAN). We haste, my prince. Amid the Bazar's glittering rows, to cull Each rich adornment. DON MANUEL. From my stables lead A palfrey, milk-white as the steeds that draw The chariot of the sun; purple the housings, The bridle sparkling o'er with precious gems, For it shall bear my queen! Yourselves be ready With trumpet's cheerful clang, in martial train To lead your mistress home: let two attend me, The rest await my quick return; and each |
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