The Bride of Messina, and On the Use of the Chorus in Tragedy by Johann Christoph Friedrich von Schiller
page 36 of 141 (25%)
page 36 of 141 (25%)
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BEATRICE (steps forward from an alcove. She walks to and fro with an
agitated air, looking round in every direction. Suddenly she stands still and listens). No! 'tis not he: 'twas but the playful wind Rustling the pine-tops. To his ocean bed The sun declines, and with o'erwearied heart I count the lagging hours: an icy chill Creeps through my frame; the very solitude And awful silence fright my trembling soul! Where'er I turn naught meets my gaze--he leaves me Forsaken and alone! And like a rushing stream the city's hum Floats on the breeze, and dull the mighty sea Rolls murmuring to the rocks: I shrink to nothing With horrors compassed round; and like the leaf, Borne on the autumn blast, am hurried onward Through boundless space. Alas! that e'er I left My peaceful cell--no cares, no fond desires Disturbed my breast, unruffled as the stream That glides in sunshine through the verdant mead: Nor poor in joys. Now--on the mighty surge Of fortune, tempest-tossed--the world enfolds me With giant arms! Forgot my childhood's ties I listened to the lover's flattering tale-- Listened, and trusted! From the sacred dome Allured--betrayed--for sure some hell-born magic Enchained my frenzied sense--I fled with him, The invader of religion's dread abodes! Where art thou, my beloved? Haste--return-- |
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