The Bride of Messina, and On the Use of the Chorus in Tragedy by Johann Christoph Friedrich von Schiller
page 39 of 141 (27%)
page 39 of 141 (27%)
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In secret paths retired, or public scenes,
Where beauteous innocence perchance might rove, To mark each passing form--in vain; but, guided By some propitious deity this day One of my train, with happy vigilance, Espied thee in the neighboring church. [BEATRICE, who had stood trembling with averted eyes, here makes a gesture of terror. I see thee Once more; and may the spirit from this frame Be severed ere we part! Now let me snatch This glad, auspicious moment, and defy Or chance, or envious demon's power, to shake Henceforth my solid bliss; here I proclaim thee, Before this listening warlike train my bride, With pledge of knightly honors! [He shows her to the Chorus. Who thou art, I ask not: thou art mine! But that thy soul And birth are pure alike one glance informed My inmost heart; and though thy lot were mean, And poor thy lowly state, yet would I strain thee With rapture to my arms: no choice remains, Thou art my love--my wife! Know too, that lifted On fortune's height, I spurn control; my will Can raise thee to the pinnacle of greatness-- Enough my name--I am Don Caesar! None Is nobler in Messina! |
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