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The Bride of Messina, and On the Use of the Chorus in Tragedy by Johann Christoph Friedrich von Schiller
page 39 of 141 (27%)
In secret paths retired, or public scenes,
Where beauteous innocence perchance might rove,
To mark each passing form--in vain; but, guided
By some propitious deity this day
One of my train, with happy vigilance,
Espied thee in the neighboring church.

[BEATRICE, who had stood trembling with averted eyes,
here makes a gesture of terror.

I see thee
Once more; and may the spirit from this frame
Be severed ere we part! Now let me snatch
This glad, auspicious moment, and defy
Or chance, or envious demon's power, to shake
Henceforth my solid bliss; here I proclaim thee,
Before this listening warlike train my bride,
With pledge of knightly honors!
[He shows her to the Chorus.
Who thou art,
I ask not: thou art mine! But that thy soul
And birth are pure alike one glance informed
My inmost heart; and though thy lot were mean,
And poor thy lowly state, yet would I strain thee
With rapture to my arms: no choice remains,
Thou art my love--my wife! Know too, that lifted
On fortune's height, I spurn control; my will
Can raise thee to the pinnacle of greatness--
Enough my name--I am Don Caesar! None
Is nobler in Messina!
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