If you were ever present, Raphael, when a great event was related to a
large assembly, did you not see how the relater waited for the incense of
praise, how he devoured it, though it was given to the hero of his
story,--and if you were ever a relater did you not trace how your heart
was subject to this pleasing deception? You have had examples, my dear
Raphael, of how easily I can wrangle with my best friend respecting the
reading aloud of a pleasing anecdote or of a beautiful poem, and my heart
told me truly on these occasions that I was only displeased at your
carrying off the laurels because these passed from the head of author to
that of the reader. A quick and deep artistic appreciation of virtue is
justly held to be a great aptitude for virtue, in the same way as it is
usual to have no scruple in distrusting the heart of a man whose
intelligence is slow to take in moral beauty.

You need not advance as an objection that, frequently, coupled with a
lively perception of a perfection, the opposite failing is found to
coexist, that evil-doers are often possessed with strong enthusiasm for
what is excellent, and that even the weak flame up into enthusiasm of
herculean growth. I know, for example, that our admired Haller, who
unmasked in so manly a spirit the sickly nothingness of vain honors; a
man whose philosophical greatness I so highly appreciated, that he was
not great enough to despise the still greater vanity of an order of
knighthood, which conferred an injury on his greatness. I am convinced
that in the happy moment of their ideal conceptions, the artist, the
philosopher, and the poet are really the great and good man whose image
they throw out; but with many this ennobling of the mind is only an
unnatural condition occasioned by a more active stirring of the blood, or
a more rapid vibration of the fancy: it is accordingly very transient,
like every other enchantment, disappearing rapidly and leaving the heart
more exhausted than before, and delivered over to the despotic caprice of