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Works of Lucian of Samosata — Volume 03 by Lucian of Samosata
page 23 of 337 (06%)

_Ly_. What is that?

_Poly_. A most important one. You will agree with me that
colour and tone have a good deal to do with beauty? that black
should _be_ black, white be white, and red play its blushing
part? It looks to me as if the most important thing of all were
still lacking.

_Ly_. Well, how shall we manage? Call in the painters, perhaps,
selecting those who were noted for their skill in mixing and laying
on their colours? Be it so: we will have Polygnotus, Euphranor of
course, Apelles and Aetion; they can divide the work between them.
Euphranor shall colour the hair like his _Hera's_; Polygnotus the
comely brow and faintly blushing cheek, after his _Cassandra_ in
the Assembly-room at Delphi. Polygnotus shall also paint her
robe,--of the finest texture, part duly gathered in, but most of it
floating in the breeze. For the flesh-tints, which must be neither
too pale nor too high-coloured, Apelles shall copy his own
_Campaspe_. And lastly, Aetion shall give her _Roxana's_ lips. Nay,
we can do better: have we not Homer, best of painters, though a
Euphranor and an Apelles be present? Let him colour all like the
limbs of Menelaus, which he says were 'ivory tinged with red.' He
too shall paint her calm 'ox- eyes,' and the Theban poet shall help
him to give them their 'violet' hue. Homer shall add her smile, her
white arms, her rosy finger-tips, and so complete the resemblance
to golden Aphrodite, to whom he has compared Brises' daughter with
far less reason. So far we may trust our sculptors and painters and
poets: but for her crowning glory, for the grace--nay, the choir of
Graces and Loves that encircle her--who shall portray them?
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