Works of Lucian of Samosata — Volume 03 by Lucian of Samosata
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page 23 of 337 (06%)
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_Ly_. What is that? _Poly_. A most important one. You will agree with me that colour and tone have a good deal to do with beauty? that black should _be_ black, white be white, and red play its blushing part? It looks to me as if the most important thing of all were still lacking. _Ly_. Well, how shall we manage? Call in the painters, perhaps, selecting those who were noted for their skill in mixing and laying on their colours? Be it so: we will have Polygnotus, Euphranor of course, Apelles and Aetion; they can divide the work between them. Euphranor shall colour the hair like his _Hera's_; Polygnotus the comely brow and faintly blushing cheek, after his _Cassandra_ in the Assembly-room at Delphi. Polygnotus shall also paint her robe,--of the finest texture, part duly gathered in, but most of it floating in the breeze. For the flesh-tints, which must be neither too pale nor too high-coloured, Apelles shall copy his own _Campaspe_. And lastly, Aetion shall give her _Roxana's_ lips. Nay, we can do better: have we not Homer, best of painters, though a Euphranor and an Apelles be present? Let him colour all like the limbs of Menelaus, which he says were 'ivory tinged with red.' He too shall paint her calm 'ox- eyes,' and the Theban poet shall help him to give them their 'violet' hue. Homer shall add her smile, her white arms, her rosy finger-tips, and so complete the resemblance to golden Aphrodite, to whom he has compared Brises' daughter with far less reason. So far we may trust our sculptors and painters and poets: but for her crowning glory, for the grace--nay, the choir of Graces and Loves that encircle her--who shall portray them? |
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