_Ly_. Most noble lady, in what you term the great and excessive
praise that I bestowed upon you, I find no such high testimony to
your merits as that which you have borne yourself by your surprise
at the attribution of divinity. That one thing surpasses all that I
have said of you, and my only excuse for not having added this
trait to my portrait is that I was not aware of it; if I had been,
no other should have had precedence of it. In this light I find
myself, far from exaggerating, to have fallen much short of the
truth. Consider the magnitude of this omission, the convincing
demonstration of a sterling character and a right disposition which
I lost; for those will be the best in human relations who are most
earnest in their dealings with the divine. Why, were it decided
that I must correct my words and retouch my statue, I should do it
not by presuming to take away from it, but by adding this as its
crowning grace. But from another point of view I have a great debt
of gratitude to acknowledge. I commend your natural modesty, and
your freedom from that vanity and pride which so exalted a position
as yours might excuse. The best witness to my correctness is just
the exception that you have taken to my words. That instead of
receiving the praise I offered as your right you should be
disturbed at it and call it excessive, is the proof of your
unassuming modesty. Nevertheless, the more you reveal that this is
your view of praise, the stronger proof you give of your own
worthiness to be praised. You are an exact illustration of what
Diogenes said when some one asked him how he might become famous:--
'by despising fame.' So if I were asked who most deserve praise, I
should answer, Those who refuse it.

But I am perhaps straying from the point. What I have to defend is