The Great Riots of New York, 1712 to 1873 by Joel Tyler Headley
page 103 of 264 (39%)
page 103 of 264 (39%)
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addressed to him by many of the most wealthy and prominent citizens of the
city, in which they expressed their regret at the treatment he had received, and urged him not to yield to such a lawless spirit. They promised that he should be protected in his rights, and hoped he would give the city an opportunity to wipe out the stain that had been put upon its character. This he unwisely consented to do, and the next Thursday was fixed for his appearance in the same play. When the placards announcing it were pasted up, there appeared immediately alongside of them another, announcing the appearance on the same evening of Forrest, in the Broadway Theatre, in the character of the "Gladiator." In the meantime other posters appeared, and among them the following in startling capitals: "WORKINGMEN! SHALL AMERICANS OR ENGLISH RULE IN THIS CITY? The crew of the British steamer have threatened all Americans who shall dare to offer their opinions this night at the ENGLISH ARISTOCRATIC OPERA HOUSE. WORKINGMEN! FREEMEN! STAND UP TO YOUR LAWFUL RIGHTS." It will be observed, that this artful appeal was like a two-edged sword, cutting both ways. It aimed at the same time to stir up the hatred of the lower classes against the upper, by the word aristocratic; and the national hatred of the English, by calling it the _English aristocratic_ Opera House to be guarded by English sailors. Both |
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