the lateness of the afternoon hour caused its postponement. This
is a matter of rejoicing to scientific men, as well as the public
generally; for every one naturally wishes to see the Giant as he
had slept in his bed for centuries, and for themselves examine
the winding sheets he wrapped about him.


POSITION OF THE FIGURE.

The form is lying on its back, the head towards the east and the
feet toward the west. The reclining posture is a perfectly natural
one, the limbs and feet being slightly drawn up. The figure
appears as if a person had fallen there and died. There seem to
be evidences of considerable physical anguish in the position
of the limbs, of the body, and in the tension of the nerves as well
as the contraction of the muscles (which are fully developed.) The
right hand rests upon the lower abdomen, and the left is pressed
against the back directly opposite. The left foot is thrown
partially over the right one, the leg resting partly upon its fellow,
but not crossing it. The head is inclined to the right.

The face is the only part seemingly free from traces of the agony
of dissolution. The expression is calm, thoughtful, almost sweet.
The high, massive forehead sets off with grand, yet benevolent
dignity, the well rounded and proportioned features. The
countenance is a study. Beautiful despite its immensity, it
displays a largeness of kindly feeling not commonly surmised from
Fairy tales of Giants and Giant deeds. The spectator gazes upon
the grand old sleeper with feelings of admiration and awe. "Nothing
like it has ever been seen," say all who have gazed upon it. "It