The Goodness of St. Rocque and Other Stories by Alice Ruth Moore Dunbar
page 44 of 109 (40%)
page 44 of 109 (40%)
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BY THE BAYOU ST. JOHN The Bayou St. John slowly makes its dark-hued way through reeds and rushes, high banks and flat slopes, until it casts itself into the turbulent bosom of Lake Pontchartrain. It is dark, like the passionate women of Egypt; placid, like their broad brows; deep, silent, like their souls. Within its bosom are hidden romances and stories, such as were sung by minstrels of old. From the source to the mouth is not far distant, visibly speaking, but in the life of the bayou a hundred heart-miles could scarce measure it. Just where it winds about the northwest of the city are some of its most beautiful bits, orange groves on one side, and quaint old Spanish gardens on the other. Who cares that the bridges are modern, and that here and there pert boat-houses rear their prim heads? It is the bayou, even though it be invaded with the ruthless vandalism of the improving idea, and can a boat-house kill the beauty of a moss-grown centurion of an oak with a history as old as the city? Can an iron bridge with tarantula piers detract from the song of a mocking-bird in a fragrant orange grove? We know that farther out, past the Confederate Soldiers' Home,--that rose-embowered, rambling place of gray-coated, white-haired old men with broken hearts for a lost cause,--it flows, unimpeded by the faintest conception of man, and we love it all the more that, like the Priestess of Isis, it is calm-browed, even in indignity. To its banks at the end of Moss Street, one day there came a man and a maiden. They were both tall and lithe and slender, with |
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