Shortly after his sixteenth birthday, young Riley turned his back
on the little schoolhouse and for a time wandered through the
different fields of art, indulging a slender talent for painting
until he thought he was destined for the brush and palette, and
then making merry with various musical instruments, the banjo,
the guitar, the violin, until finally he appeared as bass drummer
in a brass band. "In a few weeks," he said, "I had beat myself
into the more enviable position of snare drummer. Then I wanted
to travel with a circus, and dangle my legs before admiring
thousands over the back seat of a Golden Chariot. In a dearth of
comic songs for the banjo and guitar, I had written two or three
myself, and the idea took possession of me that I might be a
clown, introduced as a character-song-man and the composer of my
own ballads.

"My father was thinking of something else, however, and one day I
found myself with a 'five-ought' paint brush under the eaves of
an old frame house that drank paint by the bucketful, learning to
be a painter. Finally, I graduated as a house, sign and
ornamental painter, and for two summers traveled about with a
small company of young fellows calling ourselves 'The Graphics,'
who covered all the barns and fences in the state with
advertisements."

At another time his, young man's fancy saw attractive
possibilities in the village print-shop, and later his
ambition was diverted to acting, encouraged by the good times he
had in the theatricals of the Adelphian Society of Greenfield.
"In my dreamy way," he afterward said, "I did a little of a