Complete Works of James Whitcomb Riley — Volume 10 by James Whitcomb Riley
page 82 of 194 (42%)
page 82 of 194 (42%)
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is every one, and the chords of the piano, too, are
low and faltering; and so, at last, the tune itself swoons into the universal hush, and--Bob is rasping, in its stead, the ridiculous, but marvelously perfect imitation of the "priming" of a pump, while Billy's hands forget the "chiggers" on the bare backs of his feet, as, with clapping palms, he dances round the room in ungovernable spasms of delight. And then we all laugh; and Billy, taking advantage of the general tumult, pulls Bob's head down and whispers, "Git 'em to stay up 'way late to-night!" And Bob, perhaps remembering that we go back home to-morrow, winks at the little fellow and whispers, "You let me manage 'em! Stay up till broad daylight if we take a notion--eh?" And Billy dances off again in newer glee, while the inspired musician is plunking a banjo imitation on his enchanted instrument, which is unceremoniously drowned out by a circus-tune from Doc that is absolutely inspiring to every one but the barefooted brother, who drops back listlessly to his old position on the floor and sullenly renews operations on his "chigger" claims. "Thought you was goin' to have pop-corn to-night all so fast!" he says, doggedly, in the midst of a momentary lull that has fallen on a game of whist. And then the oldest Mills girl, who thinks cards stupid anyhow, says: "That's so, Billy; and we're going to have it, too; and right away, for this game's |
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