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Complete Works of James Whitcomb Riley — Volume 10 by James Whitcomb Riley
page 82 of 194 (42%)
is every one, and the chords of the piano, too, are
low and faltering; and so, at last, the tune itself
swoons into the universal hush, and--Bob is rasping,
in its stead, the ridiculous, but marvelously
perfect imitation of the "priming" of a pump, while
Billy's hands forget the "chiggers" on the bare
backs of his feet, as, with clapping palms, he dances
round the room in ungovernable spasms of delight.
And then we all laugh; and Billy, taking advantage
of the general tumult, pulls Bob's head down and
whispers, "Git 'em to stay up 'way late to-night!"
And Bob, perhaps remembering that we go back
home to-morrow, winks at the little fellow and whispers,
"You let me manage 'em! Stay up till broad
daylight if we take a notion--eh?" And Billy
dances off again in newer glee, while the inspired
musician is plunking a banjo imitation on his
enchanted instrument, which is unceremoniously
drowned out by a circus-tune from Doc that is
absolutely inspiring to every one but the barefooted
brother, who drops back listlessly to his old position
on the floor and sullenly renews operations on
his "chigger" claims.

"Thought you was goin' to have pop-corn to-night
all so fast!" he says, doggedly, in the midst of a
momentary lull that has fallen on a game of whist.
And then the oldest Mills girl, who thinks cards stupid
anyhow, says: "That's so, Billy; and we're going
to have it, too; and right away, for this game's
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