Who Wrote the Bible? : a Book for the People by Washington Gladden
page 4 of 291 (01%)
page 4 of 291 (01%)
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Concerning the books of the Bible no such astonishing stories are told.
Nevertheless some good people seem inclined to think that if such stories are not told, they might well be; they imagine that the Bible must have originated in a manner purely miraculous; and though they know very little about its origin, they conceive of it as a book that was written in heaven in the English tongue, divided there into chapters and verses, with head lines and reference marks, printed in small pica, bound in calf, and sent down to earth by angels in its present form. What I desire to show is, that the work of putting the Bible into its present form was not done in heaven, but on earth; that it was not done by angels, but by men; that it was not done all at once, but a little at a time, the work of preparing and perfecting it extending over several centuries, and employing the labors of many men in different lands and long-divided generations. And this history of the Bible as a book, and of the natural and human agencies employed in producing it, will prove, I trust, of much interest to those who care to study it. Mr. Huxley has written a delightful treatise on "A Piece of Chalk," and another on "The Crayfish;" a French writer has produced an entertaining volume entitled "The Story of a Stick;" the books of the Bible, considered from a scientific or bibliographical point of view, should repay our study not less richly than such simple, natural objects. A great amount of study has been expended of late on the Scriptures, and the conclusions reached by this study are of immense importance. What is called the Higher Criticism has been busy scanning these old writings, and trying to find out all about them. What is the Higher Criticism? It is the attempt to learn from the Scriptures themselves the truth about their origin. It consists in a careful study of the language of the books, of the manners and customs referred to in them, of the historical |
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