Then followed, in due order, the baptism of children, the reception of
poor old Louis Philippe in his exile, and various other matters of the
sort which go to make up royal pictures.

In the family breakfast room we saw some fine Gobelin tapestry,
representing the classical story of Meleager. In one of the rooms, on
a pedestal, stood a gigantic china vase, a present from the Emperor of
Russia, and in the state rooms before we had seen a large malachite
vase from the same donor. The toning of this room, with regard to
color, was like that of the room I described in Stafford House--the
carpet of green ground, with the same little leaf upon it, the walls,
chairs, and sofas covered with green damask. Around the walls of the
room, in some places, were arranged cases of books about three feet
high. I liked this arrangement particularly, because it gives you the
companionship of books in an apartment without occupying that space of
the wall which is advantageous for pictures. Moreover, books placed
high against the walls of a room give a gloomy appearance to the
apartment.

The whole air of these rooms was very charming, suggestive of refined
taste and domestic habits. The idea of home, which pervades every
thing in England, from the cottage to the palace, was as much
suggested here as in any apartments I have seen. The walls of the
different rooms were decorated with portraits of the members of the
royal family, and those of other European princes.

After this we went through the kitchen department--saw the silver and
gold plate of the table; among the latter were some designs which I
thought particularly graceful. To conclude all, we went through the
stables. The man who showed them told us that several of the queen's