England have never betrayed any want of information on this subject.

The next morning we had at breakfast two clergymen, members of the
established church. They appeared to be most excellent, devout,
practical men, anxious to do good, and thoughtfully seeking for
suggestions from any quarter which might assist them in their labors.
They renewed many of the inquiries which Mr. Gurney had made the
evening before.

After breakfast I went with Mr. Gurney and Mr. S. to Richmond's studio
to sit for a likeness, which is to be presented to Mr. S. by several
friends. Richmond's name is one which in this London sphere has only
to be announced to explain itself; not to know him argues yourself
unknown. He is one of the most successful artists in a certain line of
portrait painting that the present day affords. He devotes himself
principally to crayon and water-color sketches. His crayon heads are
generally the size of life; his water-colors of a small size. He often
takes full-lengths in this way, which render not merely the features,
but the figure, air, manner, and what is characteristic about the
dress. These latter sketches are finished up very highly, with the
minuteness of a miniature. His forte consists in seizing and fixing
those fleeting traits of countenance, air, and movement, which go so
far towards making up our idea of a person's appearance. Many of the
engravings of distinguished persons, with which we are familiar, have
come from his designs, such as Wilberforce, Sir Powell Buxton,
Elizabeth Fry, and others. I found his studio quite a gallery of
notabilities, almost all the _distingues_ of the day having sat
to him; so I certainly had the satisfaction of feeling myself in good
company. Mr. Richmond looks quite youthful, (but I never can judge of
any one's age here,) is most agreeable in conversation, full of