riot. It is certain that several witnesses of good birth and position
testified very strongly against Porteous, at his trial.

According to Hogg, Scott's "fame was now so firmly established that he
cared not a fig for the opinion of his literary friends beforehand." He
was pleased, however, by the notice of "Ivanhoe," "The Heart of
Mid-Lothian," and "The Bride of Lammermoor" in the Edinburgh Review of
1820, as he showed by quoting part of its remarks. The Reviewer frankly
observed "that, when we began with one of these works, we were conscious
that we never knew how to leave off. The Porteous mob is rather heavily
described, and the whole part of George Robertson, or Staunton, is
extravagant and displeasing. The final catastrophe is needlessly
improbable and startling." The critic felt that he must be critical, but
his praise of Effie and Jeanie Deans obviously comes from his heart.
Jeanie's character "is superior to anything we can recollect in the
history of invention . . . a remarkable triumph over the greatest of all
difficulties in the conduct of a fictitious narrative." The critique
ends with "an earnest wish that the Author would try his hand in the
lore of Shakspeare"; but, wiser than the woers of Penelope, Scott
refused to make that perilous adventure.
ANDREW LANG.


An essay by Mr. George Ormond, based on manuscripts in the Edinburgh
Record office (Scottish Review, July, 1892), adds little to what is known
about the Porteous Riot. It is said that Porteous was let down alive, and
hanged again, more than once, that his arm was broken by a Lochaber axe,
and that a torch was applied to the foot from which the shoe had fallen.
A pamphlet of 1787 says that Robertson became a spy on smugglers in
Holland, returned to London, procured a pardon through the Butcher