The Open Air by Richard Jefferies
page 44 of 215 (20%)
page 44 of 215 (20%)
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discover them on decaying walls, in unsuspected corners; though never
seen before, still they are the same: there has been a place in the heart waiting for them. SUNNY BRIGHTON Some of the old streets opening out of the King's Road look very pleasant on a sunny day. They ran to the north, so that the sun over the sea shines nearly straight up them, and at the farther end, where the houses close in on higher ground, the deep blue sky descends to the rooftrees. The old red tiles, the red chimneys, the green jalousies, give some colour; and beneath there are shadowy corners and archways. They are not too wide to whisper across, for it is curious that to be interesting a street must be narrow, and the pavements are but two or three bricks broad. These pavements are not for the advantage of foot passengers; they are merely to prevent cart-wheels from grating against the houses. There is nothing ancient or carved in these streets, they are but moderately old, yet turning from the illuminated sea it is pleasant to glance up them as you pass, in their stillness and shadow, lying outside the inconsiderate throng walking to and fro, and contrasting in their irregularity with the set facades of the front. Opposite, across the King's Road, the mastheads of the fishing boats on the beach just rise above the rails of the cliff, tipped with fluttering pennants, or fish-shaped vanes changing to the wind. They have a pulley at the end of a curved piece of iron for hauling up the lantern to the top of the mast when trawling; this thin curve, with a dot at the extremity surmounting the straight and rigid mast, suits the artist's pencil. The gold-plate |
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