The Open Air by Richard Jefferies
page 51 of 215 (23%)
page 51 of 215 (23%)
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value of these clouds lies in their slowness of movement, and consequent
effect in soothing the mind. Outside the hurry and drive of life a rest comes through the calm of nature. As the swell of the sea carries up the pebbles, and arranges the largest farthest inland, where they accumulate and stay unmoved, so the drifting of the clouds, and the touch of the wind, the sound of the surge, arrange the molecules of the mind in still layers. It is then that a dream fills it, and a dream is sometimes better than the best reality. Laugh at the idea of dreaming where there is an odour of tar if you like, but you see it is outside intolerable civilisation. It is a hundred miles from the King's Road, though but just under it. There is a scheme on foot for planking over the ocean, beginning at the bottom of West Street. An immense central pier is proposed, which would occupy the only available site for beaching the smacks. If carried out, the whole fishing industry must leave Brighton,--to the fishermen the injury would be beyond compensation, and the aspect of Brighton itself would be destroyed. Brighton ought to rise in revolt against it. All Brighton chimney-pots are put on with giant cement, in order to bear the strain of the tremendous winds rushing up from the sea. Heavy as the gales are, they seldom do much mischief to the roofs, such as are recorded inland. On the King's Road a plate-glass window is now and then blown in, so that on hurricane days the shutters are generally half shut. It is said that the wind gets between the iron shutters and the plate glass and shakes the windows loose. The heaviest waves roll in by the West Pier, and at the bottom of East Street. Both sides of the West Pier are washed by larger waves than can be seen all along the coast from the Quarter Deck. Great rollers come in at the concrete groyne at the foot of East Street. Exposed as the coast is, the waves do not convey so intense |
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