The Open Air by Richard Jefferies
page 55 of 215 (25%)
page 55 of 215 (25%)
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damp fallen leaves under your feet, and you would prefer no trees.
Let nothing check the descent of those glorious beams of sunlight which fall at Brighton. Watch the pebbles on the beach; the foam runs up and wets them, almost before it can slip back the sunshine has dried them again. So they are alternately wetted and dried. Bitter sea and glowing light, bright clear air, dry as dry,--that describes the place. Spain is the country of sunlight, burning sunlight; Brighton is a Spanish town in England, a Seville. Very bright colours can be worn in summer because of this powerful light; the brightest are scarcely noticed, for they seem to be in concert with the sunshine. Is it difficult to paint in so strong a light? Pictures in summer look dull and out of tune when this Seville sun is shining. Artificial colours of the palette cannot live in it. As a race we do not seem to care much for colour or art--I mean in the common things of daily life--else a great deal of colour might be effectively used in Brighton in decorating houses and woodwork. Much more colour might be put in the windows, brighter flowers and curtains; more, too, inside the rooms; the sober hues of London furniture and carpets are not in accord with Brighton light. Gold and ruby and blue, the blue of transparent glass, or purple, might be introduced, and the romance of colour freely indulged. At high tide of summer Spanish mantillas, Spanish fans, would not be out of place in the open air. No tint is too bright--scarlet, cardinal, anything the imagination fancies; the brightest parasol is a matter of course. Stand, for instance, by the West Pier, on the Esplanade, looking east on a full-lit August day. The sea is blue, streaked with green, and is stilled with heat; the low undulations can scarcely rise and fall for somnolence. The distant cliffs are white; the houses yellowish-white; the sky blue, more blue than fabled Italy. Light pours down, and the bitter salt sea wets the pebbles; to look at them makes the mouth dry, in the unconscious recollection of the saltness |
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