It was not simply the oppressive nature of the debates and lectures
that sapped his vitality. What really got right in amongst him was the
torture of seeing Adeline's adoration of Raymond Parsloe Devine. The
man seemed to have made the deepest possible impression upon her
plastic emotions. When he spoke, she leaned forward with parted lips
and looked at him. When he was not speaking--which was seldom--she
leaned back and looked at him. And when he happened to take the next
seat to her, she leaned sideways and looked at him. One glance at Mr.
Devine would have been more than enough for Cuthbert; but Adeline found
him a spectacle that never palled. She could not have gazed at him with
a more rapturous intensity if she had been a small child and he a
saucer of ice-cream. All this Cuthbert had to witness while still
endeavouring to retain the possession of his faculties sufficiently to
enable him to duck and back away if somebody suddenly asked him what he
thought of the sombre realism of Vladimir Brusiloff. It is little
wonder that he tossed in bed, picking at the coverlet, through
sleepless nights, and had to have all his waistcoats taken in three
inches to keep them from sagging.

This Vladimir Brusiloff to whom I have referred was the famous Russian
novelist, and, owing to the fact of his being in the country on a
lecturing tour at the moment, there had been something of a boom in his
works. The Wood Hills Literary Society had been studying them for
weeks, and never since his first entrance into intellectual circles had
Cuthbert Banks come nearer to throwing in the towel. Vladimir
specialized in grey studies of hopeless misery, where nothing happened
till page three hundred and eighty, when the moujik decided to commit
suicide. It was tough going for a man whose deepest reading hitherto
had been Vardon on the Push-Shot, and there can be no greater proof of