Field and Hedgerow - Being the Last Essays of Richard Jefferies by Richard Jefferies
page 130 of 295 (44%)
page 130 of 295 (44%)
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those he knew, grimness itself to others. The sunlight fell full into the
barn, the great doors wide open; there were sacks on the other side of the door piled up inside, a heap of grain, and two men turning the winches of a winnowing machine. New hats, but old faces. Could his great-great-grandfather have been dug up and set in that barn door, he would have looked just the same, so would the sacks, and the wheat, and the sunshine. At the market town, where the auctioneer's hammer goes tap tap over bullocks and sheep, crowds of men gather together,--farmers, and bailiffs, and shepherds, drovers and labourers--and their clothes are different, but there are the same old weather-beaten faces. Faces that you may see in the ancient illuminated manuscripts, in the realistic wood engravings of early printed books, in the etchings of last century, the same lines and expression. The earth has marked them all. In a modern country sketch or picture you would _not_ find them, they would be smoothed away--drawing-room faces, made transparent, in attitudes like easy-limbed girls delicately proportioned These are not country people. Country people are the same now in appearance as when the old artists honestly drew them; sturdy and square, bulky and slow, no attitudes, no drawing-room grace, no Christmas card glossiness; somewhat stiff of limb, with a distinct flavour of hay and straw about them, and no enamel. In the villages cottagers have no ideas of tastefully disposing their mantles about their shoulders, or of dressing for the occasion. I do not know how to describe the form of a middle-aged cottage woman on a stormy day with a large, greenish umbrella, a round bonnet, huge and enclosing all the head, back, and sides, like the vast helm of the knights, a sort of circular cloak, stout ankles well visible, and sometimes pattens; the wearer inside all this decidedly bulky, and the whole apparatus coming along through mud and rain with great deliberation. Inside the round bonnet a ruddy, apple-checked face, just such a one as used to go to mass in Sir John the priest's time, before the images were knocked out of the |
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