Field and Hedgerow - Being the Last Essays of Richard Jefferies by Richard Jefferies
page 132 of 295 (44%)
page 132 of 295 (44%)
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indoors seems dry and without meaning. A barnyard chanticleer and his
family afford more matter than the best book ever written. His coral red comb, his silvery scaled legs, his reddened feathers, and his fiery attitudes, his jolly crow, and all his ways--there's an illustrated pamphlet, there's a picture-block book for you in one creature only! Reckon his family, the tender little chicks, the enamelled eggs, the feeding every day, the roosting, the ever-present terror of the red wood-dog (as the gipsies call the fox)--here's a Chronicon Nurembergense with a thousand woodcuts; a whole history. This seems a very simple matter, and yet it is true that people become intensely absorbed in watching and living with such things. Add to these the veined elms, whose innumerable branches divide like the veins or the nerves of a physiological diagram, or like sprays of delicate seaweed slow turning from their winter outline to the soft green shading of summer; add to these the upspringing of the wheat and its slow coming to that maturity of gold which marks the fulness of the year; consider, then, the incomparable beauty of the mowing grass. Now remember that they live among these things, and by daily iteration the dullest mind becomes wrapped up in and welded to them. Black type on white paper is but a flat surface after these. Secondly, the books and papers themselves, made and printed in such enormous quantities, do not touch a country mind. They have such a cityfied air. Very correct, very scientific, and extremely well edited, but thin in the matter. Something so stagey--you may see it, for instance, in the books for children introducing fairies, which fairies have short skirts, and caper about exactly like a pantomime among stage frogs and stage mushrooms, and it is quite clear that the artist who drew them, and the author who wrote of them, actually drew their inspiration from the boards of a theatre. They have never dreamed among the cowslips of the real fields, they have never watched the ways of the birds from under an oak. Children instinctively see that these toy-books |
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