in October, has so toned down his spring yellow that you might fancy him
a pale green leaf floating along the road. There is a shining, quivering,
gleaming; there is a changing, fluttering, shifting; there is a mixing,
weaving--varnished wings, translucent wings, wings with dots and veins,
all playing over the purple heath; a very tangle of many-toned lights and
hues. Then come the apples: if you look upon them from an upper window,
so as to glance along the level plane of the fruit, delicate streaks of
scarlet, like those that lie parallel to the eastern horizon before
sunrise; golden tints under bronze, and apple-green, and some that the
wasps have hollowed, more glowingly beautiful than the rest; sober leaves
and black and white swallows: to see it you must be high up, as if the
apples were strewn on a sward of foliage. So have I gone in three steps
from May dandelion to September apple; an immense space measured by
things beautiful, so filled that ten folio volumes could not hold the
description of them, and I have left out the meadows, the brooks, and
hills. Often in writing about these things I have felt very earnestly my
own incompetence to give the least idea of their brilliancy and
many-sided colours. My gamut was so very limited in its terms, and would
not give a note to one in a thousand of those I saw. At last I said, I
will have more words; I will have more terms; I will have a book on
colour, and I will find and use the right technical name for each one of
these lovely tints. I was told that the very best book was by Chevreul,
which had tinted illustrations, chromatic scales, and all that could be
desired.

Quite true, all of it; but for me it contained nothing. There was a good
deal about assorted wools, but nothing about leaves; nothing by which I
could tell you the difference between the light scarlet of one poppy and
the deep purple-scarlet of another species. The dandelion remained
unexplained; as for the innumerable other flowers, and wings, and