towards the charcoal fire. Opening the furnace door, he could sit there
and watch the blue and green tongues of sulphur flame curl round about
and above the glowing charcoal, the fumes rising to the hops on the
horsehair high over. The 'hoppers' in the garden used to bring their
kettles and pots to boil, till the practice grew too frequent, and was
stopped, because the constant opening of the furnace wasted the heat. The
sulphur comes in casks. A sulphur cask sawn down the middle, with a bit
left by the head for cover, is often used by the hoppers as a cradle.
Another favourite cradle is made from a trug basket, the handle cut off.
It is then like half a large eggshell, with cross pieces underneath to
prevent it from canting aside. This cradle is set on the bare ground in
the garden; when they move one woman takes hold of one end and a second
of the other, and thus carry the infant. If you ask them, they will find
you a 'hop-dog,' a handsome green caterpillar marked with black velvet
stripes and downy bands between. Their labour usually ends early in the
afternoon.

The giant at the kiln must watch and bide his time the night through till
the hops are ready to be withdrawn from the cone. He is alone. Deep
shadows gather round the farmstead and the ricks, and there is not a
sound, nothing but the rustle of a leaf falling from the hollow oak by
the gateway. But at midnight, just as the drier is drawing the hops, a
thunderstorm bursts, and the blue lightning lights up the red cone
without, blue as the sulphur flames creeping over the charcoal within. It
is lonely work for him in the storm. By day he has many little things to
do between the greater labours, to make the pockets (or sacks) by sewing
the sackcloth, or to mark the name of the farmer and the date with
stencil plates. For sewing up the mouth of the pocket when filled there
is a peculiar kind of string used; you may see it hanging up in any of
the country 'stores;' they are not shops, but stores of miscellaneous