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In the Courts of Memory, 1858 1875; from Contemporary Letters by L. de (Lillie de) Hegermann-Lindencrone
page 33 of 460 (07%)
here to say that the Empress desired that we would come to the Tuileries
next Monday, and expressed the wish that I should bring some music. I
wrote to Delle Sedie and begged him to advise me what I should sing; he
answered that he would come himself and talk it over with me, and Monsieur
Plante, a young, budding pianist, who was ordered from the Tuileries to
accompany my songs, was sent for, and Delle Sedie came at the same time.

Delle Sedie thought that I should begin with "Tre Giorni son che Nina," of
Pergolesi, and then the air from "Lucia," and if I were asked to sing
again the "Valse de Venzano."

On these occasions gentlemen wear the _pantalon collant_, which is a
most unbecoming and trying costume, being of black cloth fitting very
tight and tapering down to the ankle, where it finishes abruptly with a
button. Any one with a protruding ankle and thin legs cannot escape
criticism.

_Le petit lundi_ of the Empress was not so _petit_ as I expected; there
were at least four or five hundred people present.

I was presented to the Princess Mathilde (the cousin of the Emperor), a
very handsome and distinguished-looking lady, who is married to and
separated from Prince Demidoff. Her palace is directly opposite our hotel.
I was also presented to the Princess Clothilde, and many others. I was
very nervous before singing, but after my first song I did very well.

There was dancing, and everything was very unceremonious and easy. I think
(I will just say it to you, dear mama) that I had a success. Their
Majesties were very kind, and thanked me many times, and the Duke de Morny
said that he was very proud of his protegee, for it was he who had
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