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In the Courts of Memory, 1858 1875; from Contemporary Letters by L. de (Lillie de) Hegermann-Lindencrone
page 44 of 460 (09%)
which I thought was very gracious of her, and I was immensely flattered,
for I think she took it from her corsage. I had noticed it there at the
beginning of the evening.

One of the bouquets bore the card of Dr. Evans, the American dentist. It
was very nice of him to remember me and send me such beautiful flowers.
Dr. Evans is so clever and entertaining. Every one likes him, and every
door as well as every jaw is open to him. At the Tuileries they look on
him not only as a good dentist, but as a good friend; and, as some clever
person said, "Though reticent to others, their Majesties had to open their
mouths to him."

The other day we had a children's party. Auber came, pretending that he
had been invited as one of the children. When he heard them all chattering
in French, English, and German, he said, "Cela me fait honte, moi qui ne
parle que le francais." He was most delighted to see the children, and
seated himself at the piano and played some sweet little old-fashioned
polkas and waltzes, to which the children danced.

I said to them: "Children, remember that to-day you have danced to the
playing of Monsieur Auber, the most celebrated composer in France. Such a
thing is an event, and you must remember it and tell it to your children."

Miss Adelaide Philips is here singing, but, alas! without the success she
deserves. She appeared at Les Italiens twice; once as Azucena in
"Trovatore," and then as the page in "Lucrezia Borgia." If it had not been
for her clothes, I think that her efforts would have been more
appreciated. The moment she appeared as the page in "Lucrezia" there was a
general titter in the audience. Her make-up was so extraordinary, Parisian
taste rose up in arms. And as for the Borgias, they would have poisoned
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