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In the Courts of Memory, 1858 1875; from Contemporary Letters by L. de (Lillie de) Hegermann-Lindencrone
page 59 of 460 (12%)
Prince Metternich was standing. "He told you that. But tell me, what do
you sing of mine?"

Auber had told me to take "Sombre Foret," of "William Tell," in case I
should be asked. Therefore I said that I had brought "Sombre Foret," and
if he liked I would sing that.

"Bene! bene!" he replied. "I will accompany you."

I was dreadfully nervous to sing before him, but when I had finished he
stretched out both hands to me and said:

"Merci! C'est comme cela que ca doit etre chante. Votre voix est
delicieuse, le timbre que j'aime--mezzo-soprano, avec ces notes hautes et
claires."

Auber came up flushed with delight at my success, and said to Rossini,
"Did I say too much about Madame Moulton's voice?"

"Not enough," replied Rossini. "She has more than voice; she has
intelligence and _le feu sacre--un rossignol double de velours_; and more
than all, she sings my music as I have written it. Every one likes to add
a little of their own. I said to Patti the other day: 'a chere_ Adelina,
when you sing the "Barbiere" do not make it too '_strakoschonee_'
[Strakosch is Patti's brother-in-law, and makes all her cadenzas for her].
If I had wanted to make all those little things, don't you think that I
could have made them myself?'"

Auber asked me, "Do you know what Rossini said about me?"

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