In the Courts of Memory, 1858 1875; from Contemporary Letters by L. de (Lillie de) Hegermann-Lindencrone
page 59 of 460 (12%)
page 59 of 460 (12%)
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Prince Metternich was standing. "He told you that. But tell me, what do
you sing of mine?" Auber had told me to take "Sombre Foret," of "William Tell," in case I should be asked. Therefore I said that I had brought "Sombre Foret," and if he liked I would sing that. "Bene! bene!" he replied. "I will accompany you." I was dreadfully nervous to sing before him, but when I had finished he stretched out both hands to me and said: "Merci! C'est comme cela que ca doit etre chante. Votre voix est delicieuse, le timbre que j'aime--mezzo-soprano, avec ces notes hautes et claires." Auber came up flushed with delight at my success, and said to Rossini, "Did I say too much about Madame Moulton's voice?" "Not enough," replied Rossini. "She has more than voice; she has intelligence and _le feu sacre--un rossignol double de velours_; and more than all, she sings my music as I have written it. Every one likes to add a little of their own. I said to Patti the other day: 'a chere_ Adelina, when you sing the "Barbiere" do not make it too '_strakoschonee_' [Strakosch is Patti's brother-in-law, and makes all her cadenzas for her]. If I had wanted to make all those little things, don't you think that I could have made them myself?'" Auber asked me, "Do you know what Rossini said about me?" |
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