In the Courts of Memory, 1858 1875; from Contemporary Letters by L. de (Lillie de) Hegermann-Lindencrone
page 76 of 460 (16%)
page 76 of 460 (16%)
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Bierstadt, the American painter, who is in Paris, also proposed to come. Then those two artists ordered canvases of the same size, and Beaumont, not to be outdone, ordered a larger canvas, and Henry announced his intention of finishing an already commenced landscape. Behold, then, your invalid, surrounded by these celebrated artists, reclining on a _chaise-longue_, a table with _tisanes_ and remedies near by, and the four painters painting. Gudin is painting a seascape; Bierstadt, a picture of California; Beaumont, of course, his graceful ladies and cherubs. It amused me to see how differently they painted. Gudin spread his paints on a very large table covered with glass, and used a great many brushes; Bierstadt used a huge palette, and painted rather finically, whereas Beaumont had quite a small palette and used few brushes. I was very sorry when my convalescence came to an end and the pictures were finished; but I had the delight of receiving the four pictures, which the four artists begged me to accept as a souvenir of the "pleasant days in the studio." Another pleasant thing happened during "the pleasant days in the studio," which was the gift of a beautiful gold medal which the Emperor sent me as a souvenir of the day I sang the _Benedictus_ in the chapel of the Tuileries. It is a little larger than a five-franc piece, and has on one side the head of the Emperor encircled by "Chapelle des Tuileries," and on the other side "Madame Moulton" and the date. We are all dreadfully sad about the Duke de Morny's death. He was very much appreciated, and a favorite with every one. They say that the Duchess cut off all her hair and put it into his coffin. I never heard before that she was such a loving wife. I only hope that she will not need her braids |
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