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The Idol of Paris by Sarah Bernhardt
page 37 of 294 (12%)
philosophical reflections. Creature of feeling and impulse that she
was, nothing could control her excitement.

Sardou had also asked Francois Darbois to invite Mlle. Frahender,
whose generous spirit and whose tact and judgment he much esteemed.
The old lady arrived, carrying as usual the little box with the lace
cap which she donned as soon as her bonnet was laid aside. On this
great day the little cap was embellished by a mauve satin ribbon,
contrasting charmingly with the silver of her hair.

All through lunch Esperance was delightful. Her quick responses to
Sardou's questions were amazing in their logic. The extreme purity of
this young soul seeking self-expression so courageously, struck the
two men with particular emphasis.

The reading was a great success. The part intended for Esperance, the
young girl's part, the heroine of the piece, had become of primary
importance. Sardou had been able to study Esperance's qualifications
during the months he had been a frequent visitor at the Darbois's
home, and he had made the most of his prescience.

Lack of experience of the theatre, so natural in a child of sixteen,
suggested several scenes of pure comedy. Then, as the drama developed,
the author had heightened the intensity of the role by several scenes
of real pathos, relying completely on Esperance to interpret them for
him. Quite overcome by the death of the heroine she was to
impersonate, she thanked the author, with tears streaming down her
cheeks, her hands icy, her heart beating so furiously that the linen
of her white blouse rose and fell.

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