Venetian Life by William Dean Howells
page 121 of 329 (36%)
page 121 of 329 (36%)
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Catholic worship if he judged it there. The truth is, the sincerity and
nobility of a spirit well-nigh unknown to the Romish faith of these times, are the ruling influences in that temple: the past lays its spell upon the present, transfiguring it, and the sublimity of the early faith honors the superstition which has succeeded it. To see this superstition in all its proper grossness and deformity you must go into some of the Renaissance churches,--fit tabernacles for that droning and mumming spirit which has deprived all young and generous men in Italy of religion; which has made the priests a bitter jest and byword; which has rendered the population ignorant, vicious, and hopeless; which gives its friendship to tyranny and its hatred to freedom; which destroys the life of the Church that it may sustain the power of the Pope. The idols of this superstition are the foolish and hideous dolls which people bow to in most of the Venetian temples, and of which the most abominable is in the church of the Carmelites. It represents the Madonna with the Child, elevated breast-high to the worshipers. She is crowned with tinsel and garlanded with paper flowers; she has a blue ribbon about her tightly corseted waist; and she wears an immense spreading hoop. On her painted, silly face of wood, with its staring eyes shadowed by a wig, is figured a pert smile; and people come constantly and kiss the cross that hangs by a chain from her girdle, and utter their prayers to her; while the column near which she sits is hung over with pictures celebrating the miracles she has performed. These votive pictures, indeed, are to be seen on most altars of the Virgin, and are no less interesting as works of art than as expressions of hopeless superstition. That Virgin who, in all her portraits, is dressed in a churn-shaped gown and who holds a Child similarly habited, is the Madonna most efficacious in cases of dreadful accident and hopeless sickness, if we may trust the pictures which represent her interference. You behold a carriage overturned and dragged along the ground by frantic |
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