any other bard. These latter have generally a coarseness and sensuality
intolerable to minds even of no very fastidious delicacy. But there are
two or three simple little songs, into which a feeling and a natural
pathos have found their way, that still retain their influence over the
heart. These, after two or three centuries, may perhaps be precious to the
collectors of our early poetry. At any rate, Hugh Crombie's effusions,
tavern-haunter and vagrant though he was, have gained a continuance of
fame (confined, indeed, to a narrow section of the country), which many
who called themselves poets then, and would have scorned such a brother,
have failed to equal.

During the long winter evenings, when the farmers were idle round their
hearths, Hugh was a courted guest; for none could while away the hours
more skilfully than he. The winter, therefore, was his season of
prosperity; in which respect he differed from the butterflies and useless
insects, to which he otherwise bore a resemblance. During the cold months,
a very desirable alteration for the better appeared in his outward man.
His cheeks were plump and sanguine; his eyes bright and cheerful; and the
tip of his nose glowed with a Bardolphian fire,--a flame, indeed, which
Hugh was so far a vestal as to supply with its necessary fuel at all
seasons of the year. But, as the spring advanced, he assumed a lean and
sallow look, wilting and fading in the sunshine that brought life and joy
to every animal and vegetable except himself. His winter patrons eyed him
with an austere regard; and some even practised upon him the modern and
fashionable courtesy of the "cut direct."

Yet, after all, there was good, or something that Nature intended to be
so, in the poor outcast,--some lovely flowers, the sweeter even for the
weeds that choked them. An instance of this was his affection for an aged
father, whose whole support was the broken reed,--his son. Notwithstanding