The Yosemite by John Muir
page 19 of 199 (09%)
page 19 of 199 (09%)
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appreciable channel. Every morning after a cool night, evaporation being
checked, it gathers strength and sings like a bird, but as the day advances and the sun strikes its thin currents outspread on the heated precipices, most of its waters vanish ere the bottom of the Valley is reached. Many a fine, hanging-garden aloft on breezy inaccessible heights awes to it its freshness and fullness of beauty; ferneries in shady nooks, filled with Adiantum, Woodwardia, Woodsia, Aspidium, Pellaea, and Cheilanthes, rosetted and tufted and ranged in lines, daintily overlapping, thatching the stupendous cliffs with softest beauty, some of the delicate fronds seeming to float on the warm moist air, without any connection with rock or stream. Nor is there any lack of colored plants wherever they can find a place to cling to; lilies and mints, the showy cardinal mimulus, and glowing cushions of the golden bahia, enlivened with butterflies and bees and all the other small, happy humming creatures that belong to them. After the highest point on the lower division of the trail is gained it leads up into the deep recess occupied by the great fall, the noblest display of falling water to be found in the Valley, or perhaps in the world. When it first comes in sight it seems almost within reach of one's hand, so great in the spring is its volume and velocity, yet it is still nearly a third of a mile away and appears to recede as we advance. The sculpture of the walls about it is on a scale of grandeur, according nobly with the fall plain and massive, though elaborately finished, like all the other cliffs about the Valley. In the afternoon an immense shadow is cast athwart the plateau in front of the fall, and over the chaparral bushes that clothe the slopes and benches of the walls to the eastward, creeping upward until the fall is wholly overcast, the contrast between the shaded and illumined sections |
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